And the film’s homicidal grotesqueries, held over from Gaston Leroux’s source story, carry a memorable chill. Visuals alone make the film entertaining, but Schumacher is unable to cast the same sort of seductive spell that theatrical productions of Phantom have woven for years. There is an almost fatal lack of heat between the Phantom (Gerard Butler) and young singer Christine (Emmy Rossum) - although there is lots of humidity, given how her hair frizzes out when he sings to her. In an auditorium, our gaze would be cast solely on the Phantom as he worms his way into Christine’s brain with wooing vocals. Schumacher frequently cuts away for reaction shots from Raoul, Christine’s suitor, supporting characters or company dancers. Given the lack of towering presence from Butler, Schumacher should have forced the camera on these two as much as he could. The Phantom must be an unforgettable presence, always on the audience’s mind even when he’s not in the action, but Butler is not particularly sinister or suave.
His Scottish-accented smoldering is fine for the largely B-grade action film resume he’s put together, but the actor puts forth more strain on his singing voice than in his character’s tortured soul. There is one solid emotional moment for the actor, though, in the film’s final moments, his removed mask finally baring more than his facial disfigurement.
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The movie doesn’t begin as one might expect - that is, with a deafening Dolby Digital rendition of the title track’s “baaaa, ba ba ba ba, baaaa” fanfare.
#The phantom of the opera 2004 where to watch movie# Instead, it starts with a wraparound story in Paris 1919 where an elderly Raoul (Patrick Wilson, whose mouth is too often agape when it isn’t providing a fine singing voice) recalls his experience with the Phantom 49 years before. Only then does the soundtrack thunder and the black-and-white picture gives way (with computer-generated help) to the colorful, bustling Opera Populaire where teen-aged company performer Christine is given the central role in the house’s latest show when diva Carlotta (a perfectly over-the-top Minnie Driver) throws a fit and walks out. The role is the culmination of all the vocal training given to Christine by the unseen Phantom, who gave her years of lessons as a disembodied voice. Making his romantic intentions known to her, though, couldn’t have come at a worse time with her recent reuniting with childhood sweetheart Raoul. Consumed by evil when his love is rejected, the Phantom plots his evil revenge. It’s said of many movies with an epic scope that they must be seen in a theater to be appreciated. That goes for this Phantom, but its sound design also is a powerhouse. #The phantom of the opera 2004 where to watch movie#.Urn:lcp:bravenewworld00huxl_1:lcpdf:34f3ef8a-65c8-49ca-94b2-aa4e54bb33d0 Extramarc UCLA Voyager Foldoutcount 0 Identifier bravenewworld00huxl_1 Identifier-ark ark:/13960/t56d71g6d Isbn 0060929871 Lccn 98008385 Ocr tesseract 5.3.0-3-g9920 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9861 Ocr_module_version 0.0.21 Ocr_parameters -l eng Openlibrary O元49156M Openlibrary_edition Access-restricted-item true Addeddate 15:08:09 Bookplateleaf 0008 Boxid IA179501 Boxid_2 CH101201 Camera Canon EOS 5D Mark II City New York Containerid_2 X0001 DonorĪlibris Edition 1st Perennial Classics ed.
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